By Chelsea Forman
Monday Magazine contributor
Victoria’s Blu Smith, one of Canada’s most prestigious abstract artists, continues to garner international recognition for his innovative landscapes.
But Blu’s signature style as an artist didn’t begin where it is today. As he points out, artists go through many style stages, often reflective of their lives, and each phase is imperative to the continued growth and evolution of their work.
In 1989, Blu moved from his hometown of Vernon to Victoria. He completed the four-year fine arts program at the University of Victoria and worked at a sign shop. After graduation, Blu remained at the sign shop for several years, while actively pursuing his career in painting on the side.
“I would show my art anywhere I could – from furniture stores to hair salons – just trying to get my work out there,” he recalls.
During his time working at the sign shop, Blu was immersed in a pop art phase. He credits this for cultivating an adoration of large format art.
“Back in university, like most young artists are, I was experimenting and trying out different techniques and styles to figure out what was going to fit for me. I was doing a lot of pop art, which really stemmed from my work in the sign business. I was implementing lettering, and working large format — one component that I still use today.”
Blu became involved with several local galleries in Victoria and from there, his work began to slowly trickle out across western Canada, eastern Canada, into the United States and eventually overseas.
Before the advent of social media, he says, it took an all-consuming effort for an artist to gain recognition. But the various platforms have helped elevate his career.
|Blu Smith photographed in his studio with some of his paints and an old studio chair. Photo by Don Denton|
“With social media the potential now is unlimited – you’re instantly worldwide with the reach that you get. It has been an instrumental part of my business over the past few years. It really allows an artist to take control of his career a lot more,” he says.
Blu’s style progressed from pop art into realistic paintings, and by the late ’90s, he once again witnessed a shift in his work.
“I was running into a stumbling block, where I found my work was really stagnating. I was doing a lot of realistic paintings and was struggling to find the creativity in that. It was more of a technical skill than a creative approach,” he’s says.
“I decided to branch out and experiment doing non-representational abstract pieces — just throwing the paint around on the canvas and seeing what happened. It was only supposed to be about a week‚ but that didn’t really happen. The abstract work really took off and I found what I was looking for. The flood gates opened.”
Blu didn’t look back for the next 15 years. His reputation as an expert abstract artist spanned globally. It wasn’t until 2013 that Blu’s career took the next subtle and unexpected shift.
“We moved to North Saanich, onto a mostly tree-covered property. In our previous home, we would get the sunrise. In our new home, we would get light flooding through the trees – and it really affected me. I started to incorporate what I saw every day outside my studio into my abstracts. It began to develop into a really interesting journey with these abstract landscapes. I found it unique and fresh.”
While Blu continues to produce pure abstract art, his abstract landscapes have gained tremendous acknowledgment for both their beauty and stylistic rarity. His work can be found in Victoria at the West End Gallery.
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