A digitally de-aged Robert DeNiro (right), in this scene with a similarly treated Joe Pesci, represents a younger version of hitman Frank Sheehan in the Netflix original film The Irishman. The film, based on a book about Sheehan’s life and career, played at UVic’s Cinecenta briefly before shifting over to Netflix, where it’s available to subscribers only. Photo by Niko Tavernise/Netflix

FILM REVIEW: Luck of the Irish for Cinecenta

The Irishman enjoys a brief run at UVic theatre, moves to Netflix from here

Despite being widely hailed as America’s greatest living director, Martin Scorsese has often been snubbed at the Academy Awards.

After his “consolation” Oscar in 2007 for the merely workmanlike The Departed, it seems that the brilliant auteur of gangster epics such as Goodfellas and Casino is finally in line to be fairly honoured thanks to The Irishman, his masterly, career-capping meditation on crime and its consequences.

Based on the biography I Heard You Paint Houses – the title a brutal joke about how a hitman “paints” a wall with blood after pumping a few bullets into his victim’s head – Irishman is a sprawling gangster opus about Frank Sheeran (Robert De Niro), a Teamsters truck driver who gets hired as a leg breaker by mob boss Russell Bufalino (Joe Pesci).

The plot accelerates when corrupt Teamsters head Jimmy Hoffa (Al Pacino) arrives on the scene and becomes increasingly entwined with these gangsters – including illegally loaning them huge sums of money out of union pension funds.

The storyline covers about 40 years, with highlights including the Mob’s alleged involvement in the Kennedy assassination, the gunning down of notorious mobster Crazy Joe Gallo, and, towards the film’s end, ever-mounting suspense as the arrogant and reckless Hoffa has a falling out with the Mafia and his mysterious “disappearance” becomes inevitable.

All the Scorsese trademarks are here, from the dark wit and sudden eruptions of violence to virtuoso editing and a lively period soundtrack (this one more doo-wop than Rolling Stones). But the exuberance and bravado of his earlier gangster films gradually gives way to a somber spirit of regret. Notably, when that bravura dolly shot that glides through the Copacabana nightclub in Goodfellas is referenced, it now becomes a stark tour through a hospital that eventually takes us to an elderly and lonely Sheeran slumped in a wheelchair and brooding about eternity.

Replete with stellar performances – including excellent supporting work from Harvey Keitel, Anna Paquin, and Ray Romano, amongst others – Irishman never drags despite its 209 minutes of running time. This is Scorsese in top form, and he takes the audience on a serious, thoughtful journey through a darkness likely beyond redemption.

Rating: ****1/2

After a limited theatrical release, The Irishman begins streaming on Netflix on Nov. 27.


The Report

Despite the innocuous title, this docudrama takes a deep, dark dive into the American Senate’s investigation regarding the CIA’s use of torture following the 9/11 attacks. With Adam Driver and Annette Bening.

Knives Out

By all accounts this is a witty and extremely entertaining murder mystery whose great cast includes Daniel Craig, Chris Evans, Jamie Lee Curtis and Christopher Plummer.


Nicole Kidman, Charlize Theron and Margot Robbie star as some of the Fox News women who suffered lewd attentions and sexual harassment at the hands of then-CEO Roger Ailes, prior to his precipitous fall from power.

Queen & Slim

Now here’s an incendiary plot: a black couple on a first date is pulled over by a cop for a minor traffic violation, only to have things escalate tragically. When the black guy kills the officer in self-defense, the couple, fearful for their safety, decides to go on the run.

Richard Jewell

Clint Eastwood’s latest film explores what happened in the aftermath of the 1996 Atlanta Olympics bombing, when security guard Richard Jewell went from hero to prime suspect. Starring Kathy Bates, Sam Rockwell and Jon Hamm.


Like us on Facebook and follow us on Twitter

Film ReviewsRobert Moyes

Get local stories you won't find anywhere else right to your inbox.
Sign up here


Al Pacino gives what some are calling his greatest performance in years as Teamsters union boss Jimmy Hoffa in the Netflix original film The Irishman. The film played at UVic’s Cinecenta briefly before shifting over to Netflix, available to subscribers only.

Just Posted

BEHIND BARS: Relaxed and refreshed at The Palms

Sneak peek at Victoria’s freshest new bar

Ocie Elliott: Facing the Music

Victoria duo describes effects of COVID crisis


Georgia Nicols giving us insight on what lies ahead this summer

30 years later, Sue Medley’s hit ‘Dangerous Times’ more relevant than ever

Vancouver Island singer/songwriter reflects on her ’90s national hit

Psychological thriller filmed on northern Vancouver Island debuts on AppleTV

‘Woodland’ is set in Haida Gwaii, but was filmed around Port McNeill

Nanaimo Fringe Festival productions adapt to new online format

10th annual festival to be live-streamed due to COVID-19

Island pub wants people to ‘drop five’ to keep music alive

Royston’s Charlie Aiken thinks his plan can help artists and venues alike

First Arts Alive sculptures of 2020 now installed

Oak Bay’s annual public art exhibition starts anew

Nanaimo fantasy writer co-authoring Old Norse phrase book

Joshua Gillingham partnering with author and professor on ‘Old Norse for Modern Times’

Cowichan’s 39 Days of July deemed a success, despite COVID-19

Musical productions live streamed from the Duncan Showroom this year

Gabriola’s Isle of the Arts Festival goes ‘mini’ on 10th anniversary

Gabriola Arts Council presents scaled-down, workshop-only IOTA Mini festival

Sooke Fine Arts Show reaches new audiences with virtual showcase

Voting for People’s Choice Award open until Aug. 3

Most Read