Pacific Opera Victoria artistic director Timothy Vernon says Handel’s Rinaldo made international stars out of his singers. Photo by David Cooper/courtesy POV

MONDAY FEATURE: POV Goes For Baroque

Handel’s most performed opera taken on in April by Victoria company

By Robert Moyes

Monday Magazine contributor

It was on the eve of his 26th birthday in 1711 when Handel wowed his new hometown of London with Rinaldo, an operatic extravaganza that made the German-born composer an overnight sensation.

It was destined to be the most frequently performed of Handel’s nearly 40 operas during his lifetime.

Rinaldo had incredible energy and spectacular production values, and was a wonderfully appealing and dramatic work,” says Timothy Vernon, artistic director of Pacific Opera Victoria. “It was meant as a showcase … Handel even cherry-picked some of his pre-existing arias to add to the new ones – he had great aspirations as he introduced himself to a brand new audience.”

The opera takes place during the First Crusade, as a Christian army prepares to rescue Jerusalem by overthrowing its Saracen rulers. A love story emerges in the midst of war, combined with a fantastical subplot involving an evil sorceress and her shape-shifting machinations.

But most compelling of all is the extraordinary singing at the heart of Rinaldo.

“There’s an uninhibited virtuosity … an incredible flair and vivid emotionalism to the vocal lines,” explains Vernon. “Handel wrote really beautifully for the voice, and his singers were international stars.”

The roles originally performed by castrati are these days undertaken by fully intact countertenors, whose falsetto singing is similarly ravishing. “I first heard Andrey Nemzer [who plays Rinaldo] two years ago, and I determined then to engage him at the first opportunity,” declares Vernon. “All five lead singers are great.”

Baroque opera fell out of fashion nearly two centuries ago, and has only been substantially rediscovered in the last few decades. This will be the fourth Handel opera that POV has presented, and it comes with challenges. As written, Rinaldo occasionally calls for extravagant stagecraft such as flying dragons and mountains that appear and disappear – technical demands that exceed the budget of POV and the capacity of the Royal Theatre.

“We’ve come up with a way to make credible the opera’s bigger moments without using huge special effects,” Vernon says. “There will be a true sense of the work, but through suggestion rather than spelling it out,” he adds. “It just requires evoking the imagination of the audience.”

Rinaldo runs from April 19 to 29 at the Royal Theatre. For tickets, call 250-386-6121 or visit rmts.bc.ca.

Just Posted

Finalists announced for Victoria’s National Philanthropy Day awards

Social change-elevating works by community members recognized in six award categories

Sooke author’s book highlights Salish Sea artists

The art is varied but the medium is the same

Scottish sensation Skerryvore brings Celtic sounds to Victoria

Oct. 9 concert at the McPherson one of just two Canadian dates on band’s international tour

Cherish: dance, fashion and philanthropy

Oct. 4 fundraiser a collaboration betweren Dance Victoria and Victoria Women’s Transition House

Hometown rocker Roper touring with material from ambitious new album

Evolved sound in Access to Infinity builds on rootsy, rock ‘n’ roll downhome vibe of previous album

Musicians take note at Victoria music industry conference

Emerging artists and industry professionals come together at Rifflandia Gathering

FILM REVIEW: Michael Moore apolitical in targeting those who failed the working class

Fahrenheit 11/9 examines the discontent in U.S. seized upon by Trump, writes Robert Moyes

‘Game of Thrones,’ ‘Mrs. Maisel’ triumph at Emmys

In a ceremony that started out congratulating TV academy voters for the most historically diverse field of nominees yet, the early awards all went solely to whites.

Most Read